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・ Bernardo de Balbuena
・ Bernardo de Cabrera
・ Bernardo de Gálvez
・ Bernardo de Gálvez (statue)
・ Bernardo de Hoyos
・ Bernardo de Irigoyen
・ Bernardo de Irigoyen (disambiguation)
・ Bernardo de Irigoyen Airport
・ Bernardo de Irigoyen, Misiones
・ Bernardo de Irigoyen, Santa Fe
・ Bernardo de Iturriaza
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・ Bernardo de la Garza
・ Bernardo de la Guardia
・ Bernardo de la Torre
Bernardo de Legarda
・ Bernardo de Miera y Pacheco
・ Bernardo de Monteagudo
・ Bernardo de Muro
・ Bernardo de Pace
・ Bernardo de Rossi
・ Bernardo de Sandoval y Rojas
・ Bernardo de Sousa Campos
・ Bernardo de Sá Nogueira de Figueiredo, 1st Marquis of Sá da Bandeira
・ Bernardo de' Dominici
・ Bernardo de' Rossi
・ Bernardo del Carpio
・ Bernardo di Niccolò Machiavelli
・ Bernardo do Mearim
・ Bernardo Domínguez


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Bernardo de Legarda : ウィキペディア英語版
Bernardo de Legarda

Bernardo de Legarda (''ca.'' 1700—1 June 1773) was an Ecuadorian sculptor and painter who exemplified the Quito School movement.
==Biography==
Legarda was a mestizo artist and the one who best personified the art of sculpture in the capital of Quito during his period. His first artwork dated from 1731 when he restored an image of Saint Luke in the Church of Santo Domingo, after which he was much in demand. In 1732 he was commissioned to do a sculpture of the Immaculate Conception for the Church of San Francisco. This work, which became known as the ''Virgin of Quito'' (1734), met with great approval and countless copies and imitations were made throughout the Royal Audiencia of Quito (present day Ecuador and Colombia).
With regard to his activity with altarpieces, one must emphasize well-documented baroque features in his work such as the altarpiece of Mercy (1748–51), completed by his disciple named Gregorio, as well as the altarpiece Moderno del Carmen, which is attributed to his disciple and Legarda Jacinto Lopez.

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